PACIFIC CLUB (Valentin Nujaim, 2023) shows the first Paris nightclub geared especially towards Arabs from the suburbs, a group thus far not catered for and often faced with exclusion.
BORDER FARCE (Safdar Ahmed, Alia Ardon, 2022) portrays Heavy Metal music as a way to reject Australia's cruel immigration and internment procedures.
And in SONIC REVERB (Sarnt Utamachote, 2023) Berlin-based musicians make a song for their relatives, triggering a conversation about integration and experiences of marginalisation.