Magazin für unabhängiges Kino
Filmwecker
Filmnotiz

Neue Notiz

Sisak + MimiCry

SISAK by Faraz Arif Ansari
(India 2017, Short)
There’s much talk about the language of love — the beauty, the poesy, the intricacy and the eloquence. But what if the real romance rested between the lines, in pages and moments that ...

Mehr

SISAK by Faraz Arif Ansari
(India 2017, Short)
There’s much talk about the language of love — the beauty, the poesy, the intricacy and the eloquence. But what if the real romance rested between the lines, in pages and moments that pass you by? And what if you learned one day that you could read it all? Soak in the joy, taste the eloquence, breathe in the intricacies and feel the poesy reverberating in the air. But what if you could only sense, only feel and yet do nothing else?

A first-of-its-kind silent LGBTQ film in India, Sisak makes waves before the visuals of this short hit the shore. Set in the fast-paced environs of the usually bustling Mumbai local train system, it details a romance that develops slowly and intoxicatingly, nestled in the silences and quiet comforts of the end-of-day train journeys.

MIMICRY by Jennifer von Schuckmann
Germany 2018, Short)

MimiCry follows the young student Mimi on her quest to find life, love and herself. As a
sexual and spiritual road-movie without cars, MimiCry is the first movie ever made about the still unknown phenomenon of the Girlfags in today's queer spectrum.
MIMICRY tells the story of the protagonist Mimi who identifies as a Girlfag (male homosexuality in females).
Mimi just moved to a new city, she is in her late twenties and lives an ordinary student's life; she does not seem to know her place in the world just yet. Stricken by self-doubt and confusion she goes on a journey of sexual and spiritual self-discovery through sex, drugs and Techno that leads her into a queer (LGBT) milieu. The journey helps her realise that a person's character and sexuality are not dependent on their biological sex. The film strives to sketch out the idea of dissolving or fusing socially constructed gender roles, resulting in the protagonist's inner conflict to be resolved.

https://www.facebook.com/events/238812956799338/

Details

Originaltitel: Bester Mann
D 2018, 44 min
Genre: Drama
Regie: Florian Forsch
Drehbuch: Florian Forsch
Verleih: Unbekannt
Darsteller: Thomas Bartholomäus, Jarl Lando Beger, Adria Grünewald

IMDB

Vorführungen

Keine Programmdaten vorhanden.

ALLE ANGABEN OHNE GEWÄHR.
Die Inhalte dieser Webseite dürfen nicht gehandelt oder weitergegeben werden. Jede Vervielfältigung, Veröffentlichung oder andere Nutzung dieser Inhalte ist verboten, soweit die INDIEKINO BERLIN UG (haftungsbeschränkt) nicht ausdrücklich schriftlich ihr Einverständnis erklärt hat.